| A New Tune a Day - Pop Performances for Flute Flûte traversière [Partition + CD] Music Sales
By Various. For Flute. Music Sales America. Softcover with CD. 48 pages. Music S...(+)
By Various. For Flute.
Music Sales America.
Softcover with CD. 48
pages. Music Sales
#BM12650. Published by
Music Sales
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adele Flûte traversière [Partition + Accès audio] Hal Leonard
(Flute). By Adele. For Flute (Flute). Instrumental Play-Along. Softcover Audio O...(+)
(Flute). By Adele. For
Flute (Flute).
Instrumental Play-Along.
Softcover Audio Online.
24 pages. Published by
Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dip In 50 Pop Tunes For Flute Music Sales
| | |
| 101 Jazz Songs for Flute Flûte traversière Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 104 pages. Published by...(+)
Composed by Various.
Instrumental Solo.
Softcover. 104 pages.
Published by Hal Leonard
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Playalong 50/50: Flute - 50 Pop Hits Music Sales
| | |
| The Big Book of Disney Songs Flûte traversière [Partition] Hal Leonard
(Flute). By Various. Instrumental Folio. Softcover. 80 pages. Published by H...(+)
(Flute). By Various.
Instrumental Folio.
Softcover.
80 pages. Published by
Hal
Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Legendary Series: Flute Music Sales
| | |
| 101 Hit Songs Flûte traversière Hal Leonard
For Flute. By Various. Instrumental Folio. Softcover. 160 pages. Published by...(+)
For Flute. By Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eric Dolphy: The Eric Dolphy Collection Flûte traversière - Intermédiaire Hal Leonard
Performed by Eric Dolphy. Woodwind solo book for flute, alto saxophone and bass ...(+)
Performed by Eric Dolphy.
Woodwind solo book for
flute, alto saxophone and
bass clarinet. Series:
Hal Leonard Artist
Transcriptions. 149
pages. Published by Hal
Leonard.
(1)$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 2 (C Instruments)
Instruments en Do [Fake Book] - Intermédiaire Hal Leonard
By Various Composers. Fake Book (Includes melody line and chords). Size 8.5x11 i...(+)
By Various Composers.
Fake Book (Includes
melody line and chords).
Size 8.5x11 inches. 416
pages. Published by Hal
Leonard.
(5)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 2 - Mini Edition Fake Book [Fake Book] Hal Leonard
C Instruments. By Various. Fake Book (Includes melody line and chords). Publishe...(+)
C Instruments. By
Various. Fake Book
(Includes melody line and
chords). Published by Hal
Leonard.
$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 2 Instruments en Sib [Fake Book] Hal Leonard
B-flat Edition. By Various. Fake Book (Includes melody line and chords). Size 8....(+)
B-flat Edition. By
Various. Fake Book
(Includes melody line and
chords). Size 8.5x11
inches. Published by Hal
Leonard.
(1)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 2: Second Edition Instruments en Do [Partition + Accès audio] Hal Leonard
Book with Play-Along Tracks. Composed by Various. Real Book Play-Along. Softco...(+)
Book with Play-Along
Tracks.
Composed by Various. Real
Book Play-Along.
Softcover
Audio Online. 440 pages.
Published by Hal Leonard
$75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume II - Second Edition CD-ROM Fake Book [CD-ROM] Hal Leonard
| | |
| The Real Book - Volume 2 Fake Book [Fake Book] Hal Leonard
Eb Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x...(+)
Eb Instruments. By
Various. Fake Book
(Includes melody line and
chords). Size 9x11
inches. Published by Hal
Leonard.
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 2 Bass Clef Instruments [Fake Book] Hal Leonard
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Size...(+)
Bass Clef Edition. By
Various. Fake Book
(Includes melody line and
chords). Size 9x11
inches. Published by Hal
Leonard.
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 2: Second Edition Instruments en Do [Partition + Accès audio] Hal Leonard
Online Play-Along Tracks. Composed by Various. Real Book Play-Along. Audio Fil...(+)
Online Play-Along Tracks.
Composed by Various. Real
Book Play-Along. Audio
File.
4 pages. Published by Hal
Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 2 Instruments en Do [Partition + Accès audio] Hal Leonard
C Edition Book/USB Flash Drive Pack. Composed by Various. Real Book Play- Alon...(+)
C Edition Book/USB Flash
Drive Pack. Composed by
Various. Real Book Play-
Along. Softcover with
USB.
440 pages. Published by
Hal
Leonard
$85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 2 Instruments en Do [Partition + Accès audio] Hal Leonard
Backing Tracks on USB Flash Drive. Composed by Various. Real Book Play-Along. ...(+)
Backing Tracks on USB
Flash
Drive. Composed by
Various.
Real Book Play-Along. USB
Flash Drive. 4 pages.
Published by Hal Leonard
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Factory Child Orchestre d'harmonie Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+24+4+4
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #YPS207.
Published by Carl Fischer
Music (CF.YPS207).
ISBN 9781491152270.
UPC: 680160909773. Key: C
minor. Factory
Child is a protest song
against child sweatshops.
The piece depicts the
factory life of children
laboring many hours a day
and manufacturing the
shoes and clothes that
end up in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs that
remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Factory Child Orchestre d'harmonie Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207F
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Full score. With Standard
notation. 24 pages. Carl
Fischer Music #YPS207F.
Published by Carl Fischer
Music (CF.YPS207F).
ISBN 9781491152959.
UPC:
680160910458. Facto
ry Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs that
remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chasing Mercury - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS234
Composed by Travis
Weller. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+8+4+4+8+8
+8+8+6+6+6+4+8+6+2+4+4+6+
32 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #CPS234.
Published by Carl Fischer
Music (CF.CPS234).
ISBN 9781491156346.
UPC: 680160914883. 9 x 12
inches. Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury –
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The idea of
someone having to chase
the Winged Messenger
struck me as a unique
title around which to
craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury! $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chasing Mercury - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS234F
Composed by Travis
Weller. Sws. Cps. Full
score. 32 pages. Duration
3 minutes, 10 seconds.
Carl Fischer Music
#CPS234F. Published by
Carl Fischer Music
(CF.CPS234F). ISBN
9781491156353. UPC:
680160914890. 9 x 12
inches. Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury –
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The idea of
someone having to chase
the Winged Messenger
struck me as a unique
title around which to
craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Boundless Hope - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone 1, Trombone 2
and more. - Grade 2
SKU: CF.YPS245
Composed by Mark Lortz.
Set of Score and Parts.
16+8+2+4+4+2+2+5+2+2+4+4+
4+3+3+3+2+3+1+1+1+4+2
pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #YPS245.
Published by Carl Fischer
Music (CF.YPS245).
ISBN 9781491159910.
UPC:
680160918508. In
December of 2020, after
almost a year of living
socially distanced,
isolated, and not knowing
when we would return to
life as we knew it, I
began to think about what
life used to look like. I
realized that I sometimes
might have taken all the
beautiful things in my
life for granted.
Personally, the year 2020
was a time of loss where
someone close to me left,
and at the same time, I
was also able to have
other successes. This
dichotomy inspired me to
realize that there is
hope in all that we do;
it is how we perceive
life. Boundless Hope
represents my thoughts,
feelings, and emotions
during this time. The
piece is roughly based on
the Lydian mode,
introducing the raised
fourth degree in m. 2 of
the mallet percussion and
then at m. 15 in the main
melody. The Lydian mode
naturally gives a sense
of positivity,
hopefulness, inspiration,
and heavenly colors. That
was my exact intention
with this piece: using
the mode to define the
mood showing gratitude
for all that we have, and
yearning to return to
normalcy with a new and
fresh perspective.
Measure 30 should be
slightly faster, followed
by a rit. into the
grandiose recapitulation
of the theme in m. 38. At
m. 45, the wind chimes
should start before the
clarinet entrance, with
the subsequent measures
representing dark and
warm colors. This piece
is very personal to me,
and I appreciate you
playing the
composition. In
December of 2020, after
almost a year of living
socially distanced,
isolated, and not knowing
when we would return to
life as we knew it, I
began to think about what
life used to look like. I
realized that I sometimes
might have taken all the
beautiful things in my
life for granted.
Personally, the year 2020
was a time of loss where
someone close to me left,
and at the same time, I
was also able to have
other successes. This
dichotomy inspired me to
realize that there is
hope in all that we do;
it is how we perceive
life. Boundless Hope
represents my thoughts,
feelings, and emotions
during this time. The
piece is roughly based on
the Lydian mode,
introducing the raised
fourth degree in m. 2
of the mallet percussion
and then at m. 15 in the
main melody. The Lydian
mode naturally gives a
sense of positivity,
hopefulness, inspiration,
and heavenly colors. That
was my exact intention
with this piece: using
the mode to define the
mood showing gratitude
for all that we have, and
yearning to return to
normalcy with a new and
fresh perspective.
Measure 30 should be
slightly faster, followed
by a rit. into the
grandiose recapitulation
of the theme in m. 38. At
m. 45, the wind chimes
should start before the
clarinet entrance, with
the subsequent measures
representing dark and
warm colors.This piece is
very personal to me, and
I appreciate you playing
the composition. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Boundless Hope - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone 1, Trombone 2
and more. - Grade 2
SKU: CF.YPS245F
Composed by Mark Lortz.
Full score. 11 pages.
Carl Fischer Music
#YPS245F. Published by
Carl Fischer Music
(CF.YPS245F). ISBN
9781491159927. UPC:
680160918515. In
December of 2020, after
almost a year of living
socially distanced,
isolated, and not knowing
when we would return to
life as we knew it, I
began to think about what
life used to look like. I
realized that I sometimes
might have taken all the
beautiful things in my
life for granted.
Personally, the year 2020
was a time of loss where
someone close to me left,
and at the same time, I
was also able to have
other successes. This
dichotomy inspired me to
realize that there is
hope in all that we do;
it is how we perceive
life. Boundless Hope
represents my thoughts,
feelings, and emotions
during this time. The
piece is roughly based on
the Lydian mode,
introducing the raised
fourth degree in m. 2 of
the mallet percussion and
then at m. 15 in the main
melody. The Lydian mode
naturally gives a sense
of positivity,
hopefulness, inspiration,
and heavenly colors. That
was my exact intention
with this piece: using
the mode to define the
mood showing gratitude
for all that we have, and
yearning to return to
normalcy with a new and
fresh perspective.
Measure 30 should be
slightly faster, followed
by a rit. into the
grandiose recapitulation
of the theme in m. 38. At
m. 45, the wind chimes
should start before the
clarinet entrance, with
the subsequent measures
representing dark and
warm colors. This piece
is very personal to me,
and I appreciate you
playing the
composition. In
December of 2020, after
almost a year of living
socially distanced,
isolated, and not knowing
when we would return to
life as we knew it, I
began to think about what
life used to look like. I
realized that I sometimes
might have taken all the
beautiful things in my
life for granted.
Personally, the year 2020
was a time of loss where
someone close to me left,
and at the same time, I
was also able to have
other successes. This
dichotomy inspired me to
realize that there is
hope in all that we do;
it is how we perceive
life. Boundless Hope
represents my thoughts,
feelings, and emotions
during this time. The
piece is roughly based on
the Lydian mode,
introducing the raised
fourth degree in m. 2
of the mallet percussion
and then at m. 15 in the
main melody. The Lydian
mode naturally gives a
sense of positivity,
hopefulness, inspiration,
and heavenly colors. That
was my exact intention
with this piece: using
the mode to define the
mood showing gratitude
for all that we have, and
yearning to return to
normalcy with a new and
fresh perspective.
Measure 30 should be
slightly faster, followed
by a rit. into the
grandiose recapitulation
of the theme in m. 38. At
m. 45, the wind chimes
should start before the
clarinet entrance, with
the subsequent measures
representing dark and
warm colors.This piece is
very personal to me, and
I appreciate you playing
the composition. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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